In 1993 when Conservation International (CI), an international NGO which works
with local people to help in nature conservation, visited Nappi Village, near to
Guyanas north-central Rupununi Savannahs, their main interest was in conducting a
biological survey of the Kanuku Mountain which is home to the Harpy Eagle. However, after
completing the survey, CI responded to residentss requests for information and the
relationship evolved into one of collaboration between the Nappi community (whose
residents are Amerindians of the Macushi tribe) and the Guyana-based arm of CI. Two other
agencies were also involved in this project to produce and market balata figurines, Aid to
Artisans (a US-based NGO) and Liana Cane Interiors (Guyana-based furniture manufacturer)
Many readers
may not have heard about this non-timber forest product called balata, which is the name
of the sap/latex which oozes from a cut bulletwood tree (Manilkara bidentata). The
sap, which hardens on exposure to sunlight, had previously been harvested by Amerindian
communities for export for rubber manufacturing. With the advent of petroleum-derived
substitutes, however, balata production was no longer required by industry. Residents
survived mainly from fishing, hunting and cultivating crops such as cassava, banana, corn,
yam and fruit trees.
With the
implementation of the project, however, the production of balata figurines represented not
only an opportunity for several householders of Nappi, to earn income, but also to add
value to a primary product found in their community while simultaneously avoiding forest
destruction. The 18 balata craft producers base the design of their figurines on scenes
from their village and plants and animals found in the surrounding forests.
CI and the
residents of Nappi also collaborated on the construction of a Community and Heritage
Centre. Residents had been involved at all stages of construction of the centre and
deciding on its use. The multi-purpose centre serves as a place for community meetings, as
a visitors centre, as a place for the exhibition of artifacts and craft, as a
repository for books, videos and other educational material, thus promoting Macushi
culture within Nappi Village and in nearby Macushi Villages, Hiowa and Parashara.
The collaboration between the
Nappi community and the various agencies demonstrates that, for sustainability (and for
realisation of maximum potential), it is imperative that direct beneficiaries participate
in the planning, development and management of any Protected Area or Reserve in their
immediate environment. |